“The Wokening”

Watched some SJW fails today.

Laughter followed the cringe.

Sadness by the end.

Mental illness is real.

Enabled into mass victimhood for some.

Drugged into oblivion for others.

The subject was calm, screaming, calm, screaming.

Waves.

She lived in worlds far different than most.

The focus of her rage remained calm & logical.

Her focus remained through fluid personality shifts.

His thoughts flashed back to youth.

Memories of personal idiocy & naivete.

Flickered like celluloid on the screen.

How stupid was that version?

Self-honesty is a bitter, necessary, frequently avoided pill.

She would not understand.

At least not in her current state.

Quiet Cool

INT. A DIMLY LIT ROOM

GLEN, 15, sits at a desk looking down at an algebra textbook, his forehead resting on his left hand. Scowling, he takes both hands and slams the book closed, stands up, and paces back and forth next to his bed.

GLEN is fairly thin and his 6’3″ frame makes him look emaciated at times. He is not muscular. His feet move in short choppy steps as he makes his way towards his aquarium, then turns and goes back to his desk.

GLEN finally goes back to sit at his desk, opens the top drawer, and pulls out a blue folder with scribblings, drawings, and short quotes on it. The drawings are rough and unrefined, like those of a kindergartener, intertwined with images of maniacal character faces. As GLEN opens the folder, he looks back at his bedroom door to make sure that his mother is not peering in on him.

Carefully, GLEN stands up and slowly creeps towards the door to avoid making too much noise. He clicks on his overhead light, walks to the doorknob, and locks it. He slowly creeps back towards his desk, sits down, and then proceeds to look at the contents of the folder.

EXT. (DAY) GLEN WALKS DOWN THE STREET WITH GARRY

GLEN walks down a leaf-cluttered street with his backpack on. He is wearing a Kansas City Royals windbreaker, collared shirt, and khaki pants. His friend, GARRY, shuffles alongside GLEN, but has trouble keeping up with GLEN’s pace. GARRY is dressed in a bright orange pumpkin sweater. The sweater looks like something he may have received as a present from an elderly relative. He has on black slacks and black dress shoes which persistently ‘clickety-clack’ as he is trying to keep up with GLEN.

Occasionally GLEN stops or slows his pace, seemingly not realizing that he is walking faster than his friend. Suddenly, GLEN abruptly stops as if he had an epiphany. GARRY, not realizing how slick his shoes are and how fast he is walking, slides past GLEN into a tree.

GLEN runs over to help his friend, grabs him by the shoulders, holds him back a bit to examine if GARRY is injured, then slaps GARRY on the back and grins.

GLEN pulls his backpack off, lays it down on the curb, opens it, and pulls out the blue, drawing-covered folder he was studying the night before. Rapidly waving his left hand, GLEN summons GARRY over as if has found a major historical artifact.

GARRY approaches GLEN. Peering over GLEN’s shoulder, Garry examines the precious cargo GLEN wants to reveal.

GLEN slowly opens the folder to reveal a picture of a pro wrestler. The man in the picture is enormous and muscle-bound. The image is shot from the waist up to reveal a strong torso, bulging biceps and triceps, and a scar that runs across his right shoulder. Across his chest is an eagle tattoo. The eagle’s wings are outstretched and its head is pointed to the right, beak open, demonstrating the bird’s immense power. His face is painted into three segments: around the right eye and half the beak is the color red; around the left eye and the other half of its beak is the color blue; around the tip of the beak is the color white.

Towards the middle of the page, in bold lightning-bolt font, the name “STRANGLER” runs across his midsection like a belt.

GARRY’s eyes grow large. GLEN nods affirmatively to his friend. They high-five and continue nodding with approval.

——————–1996———————

Lots of hatred dwelled behind those eyes. The constant expression of fear and doubt scarred her forehead. The lines froze in a space below her bangs and slightly above the auburn eyebrows.

Hate. Fear. It all went away when they were together.

Her laugh. He called it a “giggle-cackle:

The semi-high-pitched cackle sounded like cats screeching or brakes being slammed upon asphalt in mid-July. Her laugh made hairs rise on the back of his neck. The same laugh heard romping between the sheets.

Heartfelt laughs. Whether responding to a smartass remark or to one of those jokes that is so bad that it is really supposed to be stupid but people ended up laughing anyway because it makes no sense, she laughed.

“What is life without laughter?”

She lifted her shoulders in synchronicity with her question.

“There is so much superficiality based on image in this world,” she said. “If we don’t laugh at it, then we shall perish in depression.”

It was hard not to notice when she was faking it. He saw right through “those” laughs.

“I don’t feel like this would be the right thing to do right now,” Carrie said, clearing her throat. “You dropped off the face of the earth then magically pop back up in my life. I moved on. I don’t need ‘us’ right now.”

She wasn’t sure why she was saying this. She wanted to go over for dinner, but she didn’t want anything else.

“Well, then, to hell with dinner,” Glen said. “Let’s go back and get naked. Yes? No?”

“No.”

Apprehension heard in the repeated clearing of her throat.

“Besides,” she looked down and grinned, “we…are…at your hose already!”

“Of COURSE we are,” Glen replied, his eyes red as if someone had rubbed them with sandpaper. “Damn, you are correct. That is why I was going to cook your dinner in the first place. Ok.”

She looked up.

“Do you have any beer?”

“Beer?”

Glen looked around the room. An empty Michelob 12-pack box sat on the counter.

“Hold on,” Glen said as he walked towards the refrigerator.

Opening up the door, the only items aligning the inside of the refrigerator were standard condiments – ketchup, mustard, mayo, relish. Each one of them could have easily been outdated if he considered checking, but he didn’t.

On the shelves, other solids (bologna, cheese, tomato, lettuce; a can of Manwich covered with foil; two oranges; a baggy of celery; and a small plastic bowl of tuna salad) and liquids (milk, water, 7-up, and pineapple juice) provided a glimpse into Glen’s day-to-day diet

“I guess we need to make a run to the liquor store,” Glen said, his head still in the open door of the refrigerator.

He stood up. She had made her way over towards him and was peering over his back. Glen, startled by her presence, hit the back of his head on the door of the attached freezer.

“I guess we do,” she said. “If we want to make up for lost time, I’m gonna need a drink.”

“That’s more like it.”

Movie thoughts on American Ninja 2: The Confrontation

Trailer for American Ninja: The Confrontation (1987)

It’s hard to say if the producers intentionally made this hilariously bad or if they took themselves seriously enough to accidentally make this hilariously bad.

Either way, it is hilariously bad.

According to the documentary on Cannon films, Electric Boogaloo, the mindset of these producers was to turn and burn those flicks on the cheap.

This production value is demonstrated when ninjas seem to pop out of nowhere on a beach or from the roof of a nondescript building in the middle of the city.

Michael Dudikoff reprises his role in the American Ninja. He doesn’t seem like a ninja, but that doesn’t matter. He can defeat ninjas in battles throughout the movie, so that probably qualifies the guy.

Joe (Michael Dudikoff) was able to fight them off with no problem. At one point, all it took was a broken stick to assassinate a group of well-trained assassins. Another time, he used an old truck. Considering the budget was

Steve James is the true master in this sequel though. The dude is a combination of Junkyard Dog and the “crazy voice” guy from the Police Academy movies (Michael Winslow) if both of them merged into one and worked out frequently.

The guy knows how to beach battle and he is not atfraid to go Mano y Mano in lieu of weapons. However, if a weapon was around and/or needed, Steven James took advantage of and knew how to use it.

If a shirt was around, he would frequently refuse. In rare cases, he may even pose with the shirt draped around his neck just to spite the “wear a shirt” crowd.

Together, Joe and Jackson take on a series of ninjas and other bad guys to get to the bottom of something that was missed at the beginning of the movie. It probably does not really matter though because the good ninjas and their best friends ALWAYS win out in the end.

Joe and Jackson know how to stir up some shit. Outside of battling some beach ninjas and getting in a bar fight with some bad dudes, they constantly caused havoc to The Lion and his plans of biological engineering.

At one point, The Lion says “…that damned American Ninja!” and “I want that man…Alive.” When Joe and some of his fellow soldiers get trapped on an island, Jackson works to construct a band of warriors to help find them, battle ninjas with them and get them the hell out of there.

Although this sequel was made in 1987, the bioengineering plot may have inspired the same bioengineers terrorizing our planet today. This deep state consortium is trying to “control the building blocks of life”.

To be continued.. (currently at the 1 hr mark. Only 30 minutes to go.)